In my posting, “Hipstamatic / Instagram Part 2” I touched upon how shooting with the iPhone has become a sketch pad for ideas. Well, I just finished a piece that perfectly illustrates the journey from loosey-goosey Hipstamatic snap to a fully produced / realized photograph. Here, look. Having my images of kids on McDonald’s Happy Meal boxes all summer made me want to stick with little munchkins again!
In a nutshell, I’ve been noticing that the actual process of shooting with a mobile device is an act of exploring ideas. So here’s a little stinker named Dorian (okay, my son) eating a ridiculously-priced ice cream / waffle cone at Fisherman’s Wharf in San Francisco. He wasn’t styled or in any way prepared for another one of Dad’s “extra dessert yielding” shoots. The dude just looked happy. And in the midst of an anti-photograph phase I figured he would take no notice as I pulled out my phone to take a few shots. (I was right, of course.) I didn’t think much of it until the end of the day when I reviewed the images from our adventures. ‘Twas exciting to discover that the cap obscuring his eyes had eyes embroidered in to take their place! It was then that I decided to take this idea further – with a band of miniature comrades. I was now committed to producing a high quality image that told more of a story – while still maintaining that whimsical, magical, and unintended funny graphic with those googly eyes.
The first thought was to have a background that was nondescript / ambiguous, maybe even the same shiny blue tiles from the original shots. But then I was “informed” again by another “phone” shot. Here’s another “sketch” I took at the Berkeley Kite Festival. I don’t remember what digital “film” or “lens” I was using but I was taken by the warm rosy, candy-like effect on the landscape and sky. It was then that I decided a beach would be a perfect setting for this shot – with a similar color treatment. (The dried grasses looked like golden sand to me.)
Now I had a good excuse to go to Stinson Beach for the day. Stunning and perfectly crowded and free parking.
Then. . . . the kids. The idea of having the parents bringing their kids to the beach (and a stylist bringing a mobile freezer to house the 12 gallons of ice cream) seemed ridiculous. Too many factors! Answer: The studio. Duh. Putting five year olds to work is surprisingly easy when there's a triple scoop of ice cream involved. During these last dog days of summer, I set up the studio lights, handed each kid a cone bulging with their favorite flavor, and told them to go for it. There was a moment of stunned silence, then a messy attack. I did a number of images with all the kids grouped together (in the same shot) and it actually worked out pretty well. But I ended the session with those configurations - having the good sense to work with each kid solo first - before a giddy, messy dynamic could arise. In the end, I used individual shots of the kids and composed it in post. Sweet!
Looking forward to the next adventure in taking a "phone sketch" to a higher place. I'll keep you informed.
Special thanks to supreme stylist, Peggi Jeung http://peggijeung.com for her talent, kindness, and kid-skills. On this day I called her, “the ice-cream whisperer”. Also, a shout-out to Hilary Fleming who assisted me – and the kids. Oh, and all the moms, too. They’d kill me if I left them out.
Visit Mitch's official website at http://www.mitchtobias.com